Give ACRIPES a straight BT.709 ramp and end-only tone
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@@ -189,6 +189,16 @@ export interface ToneUniforms {
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const FILM_TONE: Partial<Record<BaseFilter, Partial<ToneUniforms>>> = {
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'classic-chrome': { sh: -0.28 },
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'classic-neg': { shT: [-0.018, 0.009, 0.013], hlT: [0.024, 0.008, -0.012] },
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// Acros. A black-and-white stock IS its grey ramp, so this entry only shapes
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// the two ENDS and leaves the middle an identity: a smooth shadow toe that
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// reaches a true black (no film-base lift, no flat grey wash) and a highlight
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// shoulder that stops just short of white instead of clipping a cloud to
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// paper. Mid-tones see neither mask, so the ramp keeps every step the matrix
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// handed over — which is what 'deep black' costs in a colour stock and does
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// not have to cost here.
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// Gains are TONE_SKSL's own (sh * 0.34, hl * 0.22), so -0.12 puts the toe at
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// ~5% and -0.05 trims the top ~1%.
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monochrome: { sh: -0.12, hl: -0.05 },
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};
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export function getToneUniforms(adj: ColorAdjustments, baseFilter?: BaseFilter): ToneUniforms {
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