Files
RecipesCam/docker
3dtours 3f5ef88de5 web: the mark of a reading follows the folder the walk stands in, and the head of the tree never wears it
The mark was pinned to the folder a reading was kept to, which is a fine thing
to say and no use at all to look at: a reading kept to the roll is kept to the
roll for the whole of an afternoon, so the one row that said anything said the
same word from the first frame to the last while the walk went through every
folder under it. The reader asking which folder is being read was told, in
answer, which folder they had asked about. A reading is where it is, not where
it was pointed, and where it is is a thing only the reading knows — so the walk
now tells it. The frame in hand names the folder it sits in, and the progress
carried to the screen says so with the rest, which is where the column reads it.

The mark is a way down and not a single row: the folder being read says so, and
so does every folder above it. That is what keeps a reading visible under a
branch folded shut — the row doing the work is the row the fold takes away, and
the rows above it are all a reader would have left. Two rows say the same thing
and no more, which is the point: the eye follows the marks down to the work.

The head of the tree is never one of them, and this is the rule that survives
from the last reading of the question. A roll is the head of everything under
it, and a head marked while one folder below it is read says the whole of the
tree is being read — an answer that is both loud and false, and worse than the
silence it replaced. So the mark stops one row short of the top. The one case
left bare is a reading whose frames sit in the roll's own folder and nowhere
else: there is no row between the work and the head, and a flat roll is a roll
in which the toolbar's line, which names the count, is the whole of what there
is to say.
2026-10-01 20:30:25 +07:00
..
…

RecipesCam web — self-contained stack

A Docker-hosted web build of RecipesCam. Everything it needs is in this folder: move it to another machine, run two commands, and the app is up. It does not need the React Native project around it.

cp .env.example .env
docker compose up -d --build
# → http://localhost:8090

What runs where

Service Image Role
frontend nginx:1.27-alpine (built by frontend/Dockerfile) Static SPA + /api/ reverse proxy
api node:22-slim (built by backend/Dockerfile) Accounts + saved recipes, SQLite on ./data

frontend resolves api through Docker's embedded DNS and proxies /api/* to it — that is why the API container is named api and why it is not published on the host. Only ${WEB_PORT:-8090} is exposed.

Photos never leave the browser. The CanvasKit render pipeline (grade, frame, watermarks, JPEG encode) runs in the visitor's tab; the API only stores recipes as JSON.

Layout

docker-compose.yml      the stack
.env.example            WEB_PORT
data/                   SQLite (created on first run, gitignored)
backend/                Fastify + better-sqlite3 API, own Dockerfile
frontend/               Vite + React + CanvasKit SPA, own Dockerfile + nginx.conf
  shared/               vendored copies of the app's types + utils (see below)
  src/engine/           skiaShim.ts (CanvasKit) + exportEngine.ts (render pipeline)
                        + session.ts (localStorage/IndexedDB studio persistence)

Vendored files

frontend/shared/{types/index.ts,utils/*.ts} are byte-identical copies of src/types/index.ts and ten src/utils/*.ts files from the React Native project (@shopify/react-native-skia is aliased to src/engine/skiaShim.ts in vite.config.ts + tsconfig.json, so those files compile unchanged):

cinemaShader colorUtils defaultRecipes exifWrite frameUtils jpegDpi paramDefs recipeShare skiaImage toneShader.

The landing page needs no CDN: frontend/public/assets/fonts/*.woff2 are the seven self-hosted faces behind the three font groups the Themes menu offers (Plus Jakarta Sans / Inter / JetBrains Mono, Fraunces / Be Vietnam Pro / Courier Prime, Be Vietnam Pro / Space Mono — all SIL OFL, pulled from Google Fonts, vietnamese + latin + latin-ext subsets), and frontend/public/assets/samples/s*.jpg are the six placeholder negatives the film strip, preset tester and QR card show (swap them for real graded stills whenever we have them). Its one foreign request is the QR image from api.qrserver.com, which degrades to an empty slot offline.

When the app changes one of them, copy it back in — the renderer is only "parity" for as long as these stay in sync:

cd <repo>/docker/frontend/shared/utils
cp <repo>/src/utils/<name>.ts .

Operations

docker compose logs -f api        # API log
docker compose restart api        # after backend/src changes (rebuild: --build)
docker compose down               # stop; ./data survives

Backup is the ./data folder — that is the whole database.

Checks

curl -s http://localhost:8090/api/health          # {"ok":true}
curl -sI http://localhost:8090/                   # 200, index.html

Then open the UI, drop a photo in, and confirm the preview shows the picture and EXPORT downloads a JPEG that opens. The preview going solid black while the export still reports a plausible size is the one failure mode worth knowing: it means the CanvasKit GPU surfaces lost their shared GrDirectContext (see frontend/src/engine/skiaShim.ts), and with no GPU the raster fallback renders the same pipeline correctly, just slower.