3dtours
97bdf605e2
The studio took JPEG, PNG and HEIC and nothing else, so a photographer's own negatives never reached it. A RAW now loads the way any other file does — `isRawName` reads the extension off a 24-entry list, the file goes into OPFS under one slot (`current_image.raw`, beside `current_image.name`, so a reload finds it again) and `rawDevelop` runs it through LibRaw-wasm: half size, 16-bit output, camera white balance and the camera's own 3x3 matrix, in bands of 2M pixels so a 30MB file never holds a second copy of itself. `example-sony.ARW` (30.3MB) lands as a 3120x2084 picture, no page error. DEHAZE joins the FX tab, where Lightroom keeps it: a chip off the same PARAM_DEFS entry (`dehaze`, 0..10) so nothing new renders chips, and the pass is the dark channel prior — `atmosphericLight` reads A off a 32x32 draw of the photo, `DEHAZE_SKSL` takes omega up to 0.95 over a floor of 0.1 — measured at 71.8% of the stage's pixels moved between 0 and 10. The gradient mask grows the six knobs the phone's has: HIGHLIGHT, SHADOW, WHITE, BLACK, CLARITY and DEHAZE. The mask's falloff is a smoothstep rather than a line, and CLARITY/DEHAZE inside a mask get a blurred copy of the photo plus the air A as a second child of the mask shader — so a mask's clarity is clarity and not a flat brightness lift. The column shows all nine rulers; CLARITY 9 moves 42.2% of the stage, DEHAZE 9 moves 27.9%. CLARITY stops reading the whole photo per pixel: the single pass that sampled a 15x15 box 225 times is now the three passes the same math wants — 1x15, then 15x1, then a blend, `orig + (orig - B) * 3.2` — about 30 reads. Both signs work (77.4% of the stage moves at +10, 79.6% at -10), and the negative branch keeps its mist as it was. The pointer reviews a look before it is taken: resting on a PHOTO STYLE chip or a recipe chip lays that look on the photo while it stays there and gives it back the moment it leaves — byte-identical, measured on four of them (24.9%, 23.8%, 24.5%, 25.3% of the stage moves on, 0.00% off) — while the recipe, the UNDO stack and the session stay on the look the click left. A hovered look brings its colour alone: the masks, the dust spots and the mosaic of the photo being edited ride along, or a pointer crossing a chip row would rub them off. A PRO sim is left out, since a hover that showed its look would hand over what the click gates. Probes: e2e-raw-verify, e2e-dehaze-mask, e2e-mask-verify, e2e-clarity-verify, e2e-hover-preview2.
39 lines
1.6 KiB
TypeScript
39 lines
1.6 KiB
TypeScript
import { defineConfig } from 'vite';
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import react from '@vitejs/plugin-react';
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import { fileURLToPath, URL } from 'node:url';
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// The app is shared source with the React Native app: `frameUtils.ts` and
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// `skiaImage.ts` import `@shopify/react-native-skia`, and the alias below swaps
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// that for the CanvasKit adapter. Same trick the W0 spike used, now for the app.
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export default defineConfig({
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plugins: [react()],
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resolve: {
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// onnxruntime-web ships two flavours of its default entry: one with the
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// runtime's wasm inlined as a build asset, one that fetches it at runtime.
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// This picks the second, so the 28MB binary is served from /wasm/ort/ (see
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// scripts/copy-wasm.mjs) instead of being emitted twice into dist.
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conditions: ['onnxruntime-web-use-extern-wasm'],
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alias: {
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'@shopify/react-native-skia': fileURLToPath(new URL('./src/engine/skiaShim.ts', import.meta.url)),
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},
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},
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build: {
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target: 'es2022',
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// canvaskit-wasm's glue JS is ~2.5MB on its own; the wasm is fetched at
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// runtime from /wasm/, never bundled.
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chunkSizeWarningLimit: 9000,
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},
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optimizeDeps: {
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// libraw-wasm starts its own worker with `new URL('./worker.js',
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// import.meta.url)`. Pre-bundling moves the module into .vite/deps/, where
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// that sibling does not exist and the worker never loads. Excluding it keeps
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// the package's own relative layout; the production build resolves it
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// normally either way.
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exclude: ['libraw-wasm'],
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},
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server: {
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port: 5173,
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proxy: { '/api': process.env.API_ORIGIN ?? 'http://localhost:3000' },
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},
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});
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