3dtours
d7d7be2c6b
Classic Chrome's blue row, verbatim, with the red and green rows taken from VELVIPES: skies keep the muted teal/cyan lean while everything that is not blue reads loud. The shadow crush rides along from FILM_TONE, since it belongs to the stock rather than to a row. CLASSIC CHRIPES stays untouched beside it.
305 lines
8.6 KiB
TypeScript
305 lines
8.6 KiB
TypeScript
import { Recipe, ColorAdjustments } from '../types';
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// Fallback values for every adjustable knob. Old recipes/sessions persisted in
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// AsyncStorage lack the newer fields — merge this under stored JSON to keep
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// every adjustment well-defined (see storageUtils.getAllRecipes / App session).
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export const DEFAULT_ADJUSTMENTS: ColorAdjustments = {
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exposure: 0,
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contrast: 0,
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saturation: 0,
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temperature: 5500,
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tint: 0,
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wbRed: 0,
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wbBlue: 0,
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highlight: 0,
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shadow: 0,
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denoise: 0,
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clarity: 0,
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grain: 0,
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colorChrome: 'none',
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colorChromeBlue: 'none',
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dynamicRange: 'auto',
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sharpening: 0,
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exposureCompensation: 0,
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};
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// Standard Fuji film simulations. These are the fixed "look" presets shown at
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// the front of the PRESETS chip row: tapping one applies the simulation — its
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// baseFilter colour matrix plus whatever the stock itself carries outside the
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// matrix (its FILM_TONE curve, and a grain amount when the grain IS the look,
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// as on Acros). Every other knob still resets to its neutral default (0 /
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// auto), so a sim is a clean starting point, never a baked recipe; any further
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// look (DR, CC, contrast, more grain) is added by the user afterwards.
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export interface FilmSim {
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id: string; // Recipe-like id used only while the sim is the current selection
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name: string;
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baseFilter: Recipe['baseFilter'];
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adjustments: ColorAdjustments;
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}
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export const FILM_SIMS: FilmSim[] = [
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{ id: 'sim-provia', name: 'PROVIPES', baseFilter: 'provia', adjustments: { ...DEFAULT_ADJUSTMENTS } },
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{ id: 'sim-velvia', name: 'VELVIPES', baseFilter: 'velvia', adjustments: { ...DEFAULT_ADJUSTMENTS } },
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{ id: 'sim-classic-chrome', name: 'CLASSIC CHRIPES', baseFilter: 'classic-chrome', adjustments: { ...DEFAULT_ADJUSTMENTS } },
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{ id: 'sim-classic-vivid', name: 'CLASSIC VIVIDIPES', baseFilter: 'classic-vivid', adjustments: { ...DEFAULT_ADJUSTMENTS } },
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{ id: 'sim-classic-neg', name: 'CLASSIC NEGIPES', baseFilter: 'classic-neg', adjustments: { ...DEFAULT_ADJUSTMENTS } },
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{ id: 'sim-astia', name: 'ASTIPES', baseFilter: 'astia', adjustments: { ...DEFAULT_ADJUSTMENTS } },
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{ id: 'sim-eterna', name: 'ETERNIPES', baseFilter: 'eterna', adjustments: { ...DEFAULT_ADJUSTMENTS } },
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{ id: 'sim-acros', name: 'ACRIPES', baseFilter: 'monochrome', adjustments: { ...DEFAULT_ADJUSTMENTS, grain: 3 } },
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// The rangefinder digital look (M/Q/SL) is not a film stock, so it ships as its own
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// pair instead of one look that has to compromise:
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// CLASSIC — the stock character: deep solid darks, natural shadows, rich but
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// quiet colour. Its micro-contrast is CLARITY (a local unsharp mask in both
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// renderers), never a global saturation boost, and a whisker of grain
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// keeps it feeling like film rather than digital sharpness.
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// VIVID — the same channel separation opened up for the digital era: lifted
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// exposure, lifted shadows, a little colour. It reads bright and flattering
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// straight off the shutter, no editing pass needed.
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// Both share the 'leica'/'leica-vivid' matrices; the tonal half is the sim's
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// own adjustments, which every apply path now carries into the panel.
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{ id: 'sim-leica', name: 'LC STREETLIFE CLASSIC', baseFilter: 'leica', adjustments: { ...DEFAULT_ADJUSTMENTS, clarity: 2, grain: 1 } },
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{ id: 'sim-leica-vivid', name: 'LC STREETLIFE VIVID', baseFilter: 'leica-vivid', adjustments: { ...DEFAULT_ADJUSTMENTS, exposure: 2, saturation: 2, clarity: 2, shadow: 1, highlight: -1 } },
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];
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// Film sim → full Recipe (never persisted; sims are applied on the fly).
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export function filmSimToRecipe(sim: FilmSim): Recipe {
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return {
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id: sim.id,
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name: sim.name,
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baseFilter: sim.baseFilter,
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adjustments: { ...sim.adjustments },
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frameId: 'none',
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useGeotag: true,
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};
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}
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export const DEFAULT_RECIPES: Recipe[] = [
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{
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id: 'classic-neg-default',
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name: 'CLASSIC NEGIPES.',
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baseFilter: 'classic-neg',
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adjustments: {
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exposure: 2,
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contrast: 1,
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saturation: -1,
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temperature: 6300,
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tint: 2,
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highlight: -2,
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shadow: 1,
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denoise: 1,
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clarity: 2,
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grain: 4,
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colorChrome: 'weak',
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colorChromeBlue: 'none',
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dynamicRange: 'auto',
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sharpening: 0,
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exposureCompensation: 0,
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},
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frameId: 'none',
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useGeotag: true,
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},
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{
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id: 'velvia-default',
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name: 'VELVIPES VIVID',
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baseFilter: 'velvia',
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adjustments: {
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exposure: 0,
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contrast: 2,
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saturation: 3,
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temperature: 5500,
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tint: 0,
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highlight: 1,
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shadow: -1,
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denoise: 2,
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clarity: 4,
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grain: 1,
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colorChrome: 'strong',
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colorChromeBlue: 'none',
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dynamicRange: 'auto',
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sharpening: 0,
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exposureCompensation: 0,
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},
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frameId: 'none',
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useGeotag: true,
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},
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{
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id: 'provia-default',
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name: 'PROVIPES STD',
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baseFilter: 'provia',
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adjustments: {
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exposure: 1,
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contrast: 0,
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saturation: 0,
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temperature: 5000,
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tint: 0,
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highlight: 0,
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shadow: 0,
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denoise: 2,
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clarity: 1,
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grain: 2,
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colorChrome: 'none',
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colorChromeBlue: 'none',
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dynamicRange: 'auto',
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sharpening: 0,
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exposureCompensation: 0,
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},
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frameId: 'none',
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useGeotag: true,
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},
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{
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id: 'acros-default',
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name: 'ACRIPES MONO',
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baseFilter: 'monochrome',
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adjustments: {
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exposure: 0,
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// Low: the deep black comes from FILM_TONE's toe and the micro-contrast
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// from CLARITY, both of which add separation WITHOUT flattening the grey
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// ramp. The old 4 / highlight 3 / shadow -2 stack was three global
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// contrast moves on top of a matrix that was already clipping — it
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// bought its deep black by throwing away every step below 9% and every
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// one above 91%.
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contrast: 2,
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saturation: 0,
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temperature: 5000,
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tint: 0,
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highlight: 0,
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shadow: 0,
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denoise: 0,
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clarity: 3,
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grain: 5,
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colorChrome: 'none',
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colorChromeBlue: 'none',
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dynamicRange: 'auto',
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sharpening: 0,
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exposureCompensation: 0,
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},
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frameId: 'none',
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useGeotag: true,
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},
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{
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id: 'retro-amber-default',
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name: 'RETRO AMBER 🏮',
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baseFilter: 'classic-neg',
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adjustments: {
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exposure: 3,
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contrast: 2,
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saturation: 1,
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temperature: 7500,
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tint: -2,
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highlight: -3,
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shadow: 2,
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denoise: 3,
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clarity: -2,
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grain: 5,
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colorChrome: 'strong',
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colorChromeBlue: 'none',
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dynamicRange: 'auto',
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sharpening: 0,
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exposureCompensation: 0,
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},
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frameId: 'classic-white',
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useGeotag: true,
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},
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{
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id: 'cinema-spring-default',
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name: 'CINEMA SPRING',
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baseFilter: 'none',
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adjustments: {
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exposure: 0,
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contrast: 1,
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saturation: 1,
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temperature: 5800,
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tint: 0,
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highlight: -1,
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shadow: 1,
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denoise: 2,
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clarity: 1,
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grain: 3,
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colorChrome: 'none',
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colorChromeBlue: 'none',
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dynamicRange: 'auto',
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sharpening: 0,
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exposureCompensation: 0,
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},
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frameId: 'none',
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cinema: 'spring',
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useGeotag: true,
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},
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{
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id: 'cinema-summer-default',
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name: 'CINEMA SUMMER',
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baseFilter: 'none',
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adjustments: {
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exposure: 0,
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contrast: 2,
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saturation: 2,
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temperature: 6000,
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tint: -1,
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highlight: 1,
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shadow: -1,
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denoise: 1,
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clarity: 2,
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grain: 2,
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colorChrome: 'weak',
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colorChromeBlue: 'none',
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dynamicRange: 'auto',
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sharpening: 0,
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exposureCompensation: 0,
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},
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frameId: 'none',
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cinema: 'summer',
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useGeotag: true,
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},
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{
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id: 'cinema-autumn-default',
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name: 'CINEMA AUTUMN',
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baseFilter: 'none',
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adjustments: {
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exposure: 0,
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contrast: 1,
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saturation: 2,
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temperature: 7200,
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tint: -2,
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highlight: -2,
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shadow: 1,
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denoise: 2,
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clarity: 0,
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grain: 4,
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colorChrome: 'weak',
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colorChromeBlue: 'none',
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dynamicRange: 'auto',
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sharpening: 0,
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exposureCompensation: 0,
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},
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frameId: 'none',
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cinema: 'autumn',
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useGeotag: true,
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},
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{
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id: 'cinema-winter-default',
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name: 'CINEMA WINTER',
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baseFilter: 'none',
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adjustments: {
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exposure: 1,
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contrast: -1,
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saturation: -2,
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temperature: 4500,
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tint: 2,
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highlight: -2,
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shadow: 2,
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denoise: 3,
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clarity: -2,
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grain: 3,
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colorChrome: 'none',
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colorChromeBlue: 'weak',
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dynamicRange: 'auto',
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sharpening: 0,
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exposureCompensation: 0,
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},
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frameId: 'none',
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cinema: 'winter',
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useGeotag: true,
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},
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];
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