3dtours 03ec925aec The phone gets its picture back: a one-row icon toolbar, a histogram that shows the tones below the sky, and crop corners a thumb can actually grab
Three things were wrong on a 390px phone, and all three cost the photo its
screen. The toolbar's six labelled buttons wrapped to three lines (141px of an
844px screen, 17% of it) and now sit on one 30px row of icons; the histogram
read as an empty white plot; and a crop corner was a 9x16px target to a touch,
so a thumb a few pixels off it moved the frame instead of resizing it.

The toolbar keeps its labels in the DOM and only takes them out of the paint —
font-size 0 on the button, the glyph on ::before — so every button keeps the
accessible name it always had, and the two toggles still report their own
state. Verify: measured on a 390x844 viewport with a real P1010256.JPG, the row
is 30px tall, one row, buttons 34x30, `fontSize` 0px, the labels still in the
DOM as text, and hist-toggle still flips aria-pressed both ways.

The histogram was two separate faults, and the first one was invisible to the
DOM. Measured: after upload or after a close/reopen the plot is an empty frame
for ~100ms (4 paths land at 104ms / 126ms) — that is the mount, not a bug. But
the SVG then carried four full-length paths whose own map was flat: the lum
curve sat 0.9 of the panel high on ONE bin and every other bin measured 0.066
or less, so the photo read as a line along the floor. That is real: the
sampled frame has 34% of its pixels on bin 255, and under a linear scale a
blown sky owns the whole panel. The scale is log1p now — an empty bin still
sits exactly on the floor — and the bins go from 1 bin above half to 226.

The second fault was the paint: `.hist-ch` screens its three curves, which is
how light adds up on a dark panel, and it is measured against the backdrop —
so on the light theme (a white plot) it screened every channel straight to
white. Screen is now gated to `[data-theme='dark']`; measured on the light
theme, the plot went from 52 red / 39 green pixels to 931 / 1143 with the grey
fill under them.

The crop corner keeps its 16px square, which is the size a corner reads at,
and grows only its touch target: 44px centred on the node, so the outward half
is clipped by the photo's own layer and the target never overlaps the rect it
would otherwise hand the drag to. Measured: 23x44px reachable around each
node, and a drag from the bottom-right corner's centre still resizes (w 358 ->
297, h 201 -> 167) without moving the frame.

Verified: `npx tsc --noEmit` clean, `npm run build` clean, and every number
above read back off the built bundle in a 390x844 mobile context.

Co-authored-by: PenguinHarness <noreply@penguin.local>
2026-09-29 17:54:45 +07:00
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RecipesCam

RecipesCam is a camera and photo-editing app built around recipes — reusable looks that carry a film simulation plus a full set of adjustments. You shoot or open a photo, dial in a look, and keep it as a recipe you can apply again, share as a .recipe file, or save to your account.

It ships twice from one repository: a React Native (Expo) app for iOS and Android, and a self-contained web build under docker/ that runs the same render pipeline in the browser.

What it does

  • Shoot with a recipe applied. Live viewfinder, GPS-tagged captures, and the recipe baked into the saved file.
  • Film simulations. Built-in looks — PROVIPES, VELVIPES, CLASSIC CHRIPES, CLASSIC NEGIPES, ASTIPES, ETERNIPES, ACRIPES, B&W HIGH CONTRAST and the LC STREETLIFE pair — each with its own grain and tone curve.
  • The full adjustment set. Exposure, contrast, highlights and shadows, saturation, colour temperature, clarity, grain, and an HSL mixer with a colour picker that samples straight off the photo.
  • Geometry. Crop to a fixed ratio or free-form, quarter turns, and a straighten ruler, plus printed frames (classic border, retro instant, wall frame portrait/landscape).
  • Finishing. Watermark and GPS stamp, EXIF carried through the export, JPEG written with a proper 300 DPI JFIF header.
  • On-device upscaling. A Real-ESRGAN pass runs locally when an export asks for more pixels than the source has — no server sees the photo.
  • Recipes. Save, favourite, export and import .recipe files; the web build keeps them in your account, the phone build also keeps them on device.

The two builds

Build Where Stack
iOS / Android repo root Expo + React Native, @shopify/react-native-skia for the render pipeline, NativeWind for styling
Web docker/ Vite + React, CanvasKit (canvaskit-wasm) for the same pipeline, Fastify + SQLite API for accounts and recipes

The render engine is shared by design: the web build compiles the app's own src/utils/* and type definitions unchanged, with @shopify/react-native-skia aliased to a CanvasKit shim (docker/frontend/src/engine/skiaShim.ts). A look looks the same on both because it is the same code.

Running the web build

cd docker
cp .env.example .env
docker compose up -d --build
# → http://localhost:8090

Photos never leave the browser: grading, framing, watermarking and JPEG encoding all run in the visitor's tab; the API only stores accounts and recipe JSON. See docker/README.md for the layout and the proxy setup.

Running the app

npm install
npx expo start          # Expo Go / dev client
npx expo run:android    # or run:ios for a native build

Repository layout

App.tsx, src/           the Expo app: screens, tool rail, viewfinder, shaders
docker/                 the web build (frontend + API + compose file)
  frontend/shared/      vendored copies of the app's types and utils
  frontend/src/engine/  CanvasKit shim, export engine, super-resolution
docs/                   privacy policy
THIRD_PARTY_NOTICES.md  licences of the bundled fonts, models and libraries

Licence

See LICENSE and THIRD_PARTY_NOTICES.md.

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