Files
RecipesCam/docker/frontend/shared/utils/paramDefs.ts
T
3dtours 97bdf605e2 web: import the camera's RAW, and grade it like the phone
The studio took JPEG, PNG and HEIC and nothing else, so a photographer's own
negatives never reached it. A RAW now loads the way any other file does —
`isRawName` reads the extension off a 24-entry list, the file goes into OPFS
under one slot (`current_image.raw`, beside `current_image.name`, so a reload
finds it again) and `rawDevelop` runs it through LibRaw-wasm: half size, 16-bit
output, camera white balance and the camera's own 3x3 matrix, in bands of 2M
pixels so a 30MB file never holds a second copy of itself. `example-sony.ARW`
(30.3MB) lands as a 3120x2084 picture, no page error.

DEHAZE joins the FX tab, where Lightroom keeps it: a chip off the same
PARAM_DEFS entry (`dehaze`, 0..10) so nothing new renders chips, and the pass is
the dark channel prior — `atmosphericLight` reads A off a 32x32 draw of the
photo, `DEHAZE_SKSL` takes omega up to 0.95 over a floor of 0.1 — measured at
71.8% of the stage's pixels moved between 0 and 10.

The gradient mask grows the six knobs the phone's has: HIGHLIGHT, SHADOW,
WHITE, BLACK, CLARITY and DEHAZE. The mask's falloff is a smoothstep rather than
a line, and CLARITY/DEHAZE inside a mask get a blurred copy of the photo plus
the air A as a second child of the mask shader — so a mask's clarity is clarity
and not a flat brightness lift. The column shows all nine rulers; CLARITY 9
moves 42.2% of the stage, DEHAZE 9 moves 27.9%.

CLARITY stops reading the whole photo per pixel: the single pass that sampled a
15x15 box 225 times is now the three passes the same math wants — 1x15, then
15x1, then a blend, `orig + (orig - B) * 3.2` — about 30 reads. Both signs work
(77.4% of the stage moves at +10, 79.6% at -10), and the negative branch keeps
its mist as it was.

The pointer reviews a look before it is taken: resting on a PHOTO STYLE chip or
a recipe chip lays that look on the photo while it stays there and gives it back
the moment it leaves — byte-identical, measured on four of them (24.9%, 23.8%,
24.5%, 25.3% of the stage moves on, 0.00% off) — while the recipe, the UNDO
stack and the session stay on the look the click left. A hovered look brings its
colour alone: the masks, the dust spots and the mosaic of the photo being edited
ride along, or a pointer crossing a chip row would rub them off. A PRO sim is
left out, since a hover that showed its look would hand over what the click
gates.

Probes: e2e-raw-verify, e2e-dehaze-mask, e2e-mask-verify, e2e-clarity-verify,
e2e-hover-preview2.
2026-09-26 18:18:22 +07:00

260 lines
6.1 KiB
TypeScript

import { ColorAdjustments } from '../types';
// Static metadata for the continuous (slider) adjustments of the IQ/WB/FILTERS
// tabs — shared between AdjustmentPanel (chips + slider rows) and App (which
// needs the open row's bounds to drive drag-on-the-image adjustment). The get
// /set accessors are stateless so one table serves every render.
export interface ContinuousParamDef {
key: string;
label: string;
min: number;
max: number;
step: number;
defaultValue: number;
display: (v: number) => string;
get: (a: ColorAdjustments) => number;
set: (v: number) => Partial<ColorAdjustments>;
// PRO-only knob: the LITE build greys the chip out (PRO corner tag) and
// cannot open its row, so the value stays at its default there.
pro?: boolean;
}
const sign = (v: number) => (v > 0 ? `+${v}` : String(v));
const oneEv = (v: number) => `${v > 0 ? '+' : ''}${v.toFixed(1)} EV`;
export const PARAM_DEFS: {
iq: ContinuousParamDef[];
wb: ContinuousParamDef[];
filters: ContinuousParamDef[];
} = {
iq: [
{
key: 'exposure',
label: 'EXPOSURE',
min: -10,
max: 10,
step: 1,
defaultValue: 0,
display: sign,
get: (a) => a.exposure,
set: (v) => ({ exposure: v }),
},
{
key: 'ev',
label: 'EV',
min: -3,
max: 3,
step: 0.5,
defaultValue: 0,
display: oneEv,
get: (a) => a.exposureCompensation ?? 0,
set: (v) => ({ exposureCompensation: v }),
},
{
key: 'contrast',
label: 'CONTRAST',
min: -10,
max: 10,
step: 1,
defaultValue: 0,
display: sign,
get: (a) => a.contrast,
set: (v) => ({ contrast: v }),
},
{
key: 'color',
label: 'COLOR',
min: -10,
max: 10,
step: 1,
defaultValue: 0,
display: sign,
get: (a) => a.saturation,
set: (v) => ({ saturation: v }),
},
{
key: 'vibrance',
label: 'VIBRANCE',
min: -10,
max: 10,
step: 1,
defaultValue: 0,
display: sign,
get: (a) => a.vibrance ?? 0,
set: (v) => ({ vibrance: v }),
},
{
key: 'highlight',
label: 'HIGHLIGHT',
min: -10,
max: 10,
step: 1,
defaultValue: 0,
display: sign,
get: (a) => a.highlight ?? 0,
set: (v) => ({ highlight: v }),
},
{
key: 'shadow',
label: 'SHADOW',
min: -10,
max: 10,
step: 1,
defaultValue: 0,
display: sign,
get: (a) => a.shadow ?? 0,
set: (v) => ({ shadow: v }),
},
],
wb: [
{
key: 'temperature',
label: 'COLOR TEMP',
min: 2500,
max: 10000,
step: 100,
defaultValue: 5500,
display: (v) => `${v}K`,
get: (a) => a.temperature,
set: (v) => ({ temperature: v }),
},
{
key: 'tint',
label: 'TINT',
min: -10,
max: 10,
step: 1,
defaultValue: 0,
display: sign,
get: (a) => a.tint ?? 0,
set: (v) => ({ tint: v }),
},
{
// The two points live on WB, not on LIGHT: they shift each channel's own
// end of the ramp, which balances a cast at the toe and the shoulder
// rather than adding another tone knob. Same range as the CREATE form's
// rows, so a look round-trips.
key: 'whites',
label: 'WHITE',
min: -10,
max: 10,
step: 1,
defaultValue: 0,
display: sign,
get: (a) => a.whites ?? 0,
set: (v) => ({ whites: v }),
},
{
key: 'blacks',
label: 'BLACK',
min: -10,
max: 10,
step: 1,
defaultValue: 0,
display: sign,
get: (a) => a.blacks ?? 0,
set: (v) => ({ blacks: v }),
},
],
filters: [
{
key: 'denoise',
label: 'NOISE REDUCTION',
min: -10,
max: 10,
step: 1,
defaultValue: 0,
display: String,
get: (a) => a.denoise,
set: (v) => ({ denoise: v }),
},
{
key: 'clarity',
label: 'CLARITY',
min: -10,
max: 10,
step: 1,
defaultValue: 0,
display: sign,
get: (a) => a.clarity,
set: (v) => ({ clarity: v }),
},
{
// The haze the frame's own pixels carry (dark channel prior, toneShader's
// DEHAZE_SKSL): no negative side, because there is no way to put scattered
// light back that is honest about where it went. Its chip sits with the
// other spatial knob it shares a blurred reference with.
key: 'dehaze',
label: 'DEHAZE',
min: 0,
max: 10,
step: 1,
defaultValue: 0,
display: String,
get: (a) => a.dehaze ?? 0,
set: (v) => ({ dehaze: v }),
},
{
key: 'sharpening',
label: 'SHARPENING',
min: -10,
max: 10,
step: 1,
defaultValue: 0,
display: String,
get: (a) => a.sharpening ?? 0,
set: (v) => ({ sharpening: v }),
},
{
key: 'grain',
label: 'MONOCHROME GRAIN',
min: 0,
max: 10,
// Half a step: the grain is a look, not a switch, and the AMOUNT chip in
// the GRAIN strip is what spends the half.
step: 0.5,
defaultValue: 0,
display: String,
get: (a) => a.grain,
set: (v) => ({ grain: v }),
},
{
// The SIZE knob: percent of the stock's own cell (grainShader.ts), so the
// same number means the same texture RELATIVE to the picture on both
// platforms and the readout beside it is the stock's, scaled.
key: 'grainSize',
label: 'GRAIN SIZE',
min: 50,
max: 200,
step: 5,
defaultValue: 100,
display: (v) => `${v}%`,
get: (a) => a.grainSize ?? 100,
set: (v) => ({ grainSize: v }),
},
{
key: 'hdf',
label: 'HDF EFFECT',
pro: true,
min: 0,
max: 10,
step: 1,
defaultValue: 0,
display: String,
get: (a) => a.hdf ?? 0,
set: (v) => ({ hdf: v }),
},
{
key: 'vignette',
label: 'VIGNETTING',
min: 0,
max: 10,
step: 1,
defaultValue: 0,
display: String,
get: (a) => a.vignette ?? 0,
set: (v) => ({ vignette: v }),
},
],
};