RecipesCam/docker/frontend/shared/utils/gradientMask.ts

import type { GradientMask } from '../types';
import { whiteBalanceGain } from './colorUtils';
import {
  CLARITY_GAIN,
  DEHAZE_FLOOR_T,
  DEHAZE_MAX_OMEGA,
  DEHAZE_PATCH_STEP,
  DEHAZE_PATCH_TAPS,
} from './toneShader';

// FX tab > LINEAR / RADIAL GRADIENT — Lightroom's two gradient masks, the local
// adjustments that are a SHAPE rather than a whole-frame knob.
//
// HEAL and MOSAIC repair and hide; these two grade. A shape is dragged on the
// photo, and inside it (through the alpha the shape's own maths produces) the
// three knobs below move the pixels and nothing outside them does. A linear
// gradient is the shape whose alpha is a straight ramp across the drag; a radial
// one is an ellipse whose alpha holds full until its feather and dies at its
// rim. Two shapes, one shader: the kind is a number in the mask's own uniform
// and the block that reads it branches, because that is the whole difference
// between them.
//
// The maths is the GLSL spec these were asked for (its scratchpad md, sections
// 1 and 2 for the masks and the blend shader for the colour): the linear one
// projects the pixel onto the drag with a dot product and smoothsteps the
// result; the radial one moves the pixel into the ellipse's own frame, rotates
// it back by -angle, divides by the semi-axes and smoothsteps inward from the
// rim. Written in SkSL because that is what this renderer is (Canvaskit, see
// skiaShim.ts), stage for stage: the one pass the spec asks for per mask, in
// the order the user drew them, each reading what the one before it left.
//
// The spec's section 4 — "the system needs to restrict all the above effects to
// operate only within the mask's area" — is the rest of the block below: the
// smoothstep soft masks that carry HIGHLIGHT and SHADOW, the two ends WHITE and
// BLACK move, and the two spatial ones (CLARITY against the frame's own blur,
// DEHAZE through the dark channel) that the caller hands in the blurred
// reference for and the atmospheric light for. Every one of them rides the same
// alpha the shape produces and lands through the same `mix`, so a mask at half
// strength is half of the move.
export const MASK_KIND = { linear: 0, radial: 1 } as const;
// Exposure is stored as the EV itself — the spec's own -5..+5 — because that is
// what `pow(2.0, e)` reads, and a stop is a stop whatever the app's slider units
// are elsewhere. The other two are -10..+10 like every other knob, and are turned
// into the spec's -1..+1 on the way to the shader.
export const MASK_EXPOSURE_MAX = 5;
// How much of the semi-axis a fresh ellipse fades over. Half: the edge is soft
// enough to be a gradient mask rather than a cut-out, and every pixel of the
// ellipse is still on the shape's own side of the rim.
export const MASK_DEFAULT_FEATHER = 0.5;
// The smallest drag that is a shape rather than a press: a hundredth of the
// width. Below this the mask is dropped instead of laid down — the same floor
// readMasks refuses a stored one at.
export const MASK_MIN = 0.01;

const num = (v: unknown, fallback: number) => {
  const n = Number(v);
  return Number.isFinite(n) ? n : fallback;
};
const clamp01 = (v: number) => (v < 0 ? 0 : v > 1 ? 1 : v);
const clampA = (v: number) => (v < -10 ? -10 : v > 10 ? 10 : v);
// The frame-wide WB ruler's own two ends, and its own neutral: a mask that never
// touched WB carries 5500K / 0, whose gain is exactly 1.
const NEUTRAL_K = 5500;
const clampK = (v: number) => (v < 2500 ? 2500 : v > 10000 ? 10000 : v);
const clampEV = (v: number) => (v < -MASK_EXPOSURE_MAX ? -MASK_EXPOSURE_MAX : v > MASK_EXPOSURE_MAX ? MASK_EXPOSURE_MAX : v);

// The stored masks, made readable: numbers, inside the frame, one kind — the
// same guard HEAL's and MOSAIC's lists get, so a hand-written or older file
// cannot produce a shape the overlay and the renderer disagree about. A mask
// with no shape (a linear drag of no length, an ellipse of no radius) is
// dropped: it would paint nothing and could never be taken hold of on the photo.
// What readMasks hands back: the stored mask with every knob resolved to a
// number. The two spatial ones and the four tonal ones are optional in the
// stored type (a mask saved before they existed has none), so the reader's
// return type is the one that says they are there.
export type ReadMask = GradientMask & {
  highlights: number;
  shadows: number;
  whites: number;
  blacks: number;
  clarity: number;
  dehaze: number;
  temperature: number;
  tint: number;
};

export function readMasks(masks: GradientMask[] | undefined): ReadMask[] {
  if (!Array.isArray(masks)) return [];
  return masks
    .filter((m) => m?.kind === 'linear' || m?.kind === 'radial')
    .map((m) => ({
      kind: m.kind,
      x: clamp01(num(m.x, 0.5)),
      y: clamp01(num(m.y, 0.5)),
      ex: clamp01(num(m.ex, 0.5)),
      ey: clamp01(num(m.ey, 0.5)),
      rx: Math.max(0, num(m.rx, 0)),
      ry: Math.max(0, num(m.ry, 0)),
      angle: num(m.angle, 0),
      feather: clamp01(num(m.feather, MASK_DEFAULT_FEATHER)),
      exposure: clampEV(num(m.exposure, 0)),
      contrast: clampA(num(m.contrast, 0)),
      saturation: clampA(num(m.saturation, 0)),
      // The spec's section 4 knobs: the two tone soft masks, the two ends, and
      // the two spatial moves. All -10..+10 like every other knob here, all 0 on
      // a mask stored before they existed.
      highlights: clampA(num(m.highlights, 0)),
      shadows: clampA(num(m.shadows, 0)),
      whites: clampA(num(m.whites, 0)),
      blacks: clampA(num(m.blacks, 0)),
      clarity: clampA(num(m.clarity, 0)),
      dehaze: clampA(num(m.dehaze, 0)),
      // The WB pair, the two rulers the LIGHT column already carries, read on the
      // mask's own pixels: kelvin on its own scale, tint in the store's ±10. Both
      // absent on a mask stored before they existed, and then the gain is 1.
      temperature: clampK(num(m.temperature, NEUTRAL_K)),
      tint: clampA(num(m.tint, 0)),
    }))
    .filter((m) => (m.kind === 'linear' ? Math.hypot(m.ex - m.x, m.ey - m.y) > MASK_MIN : m.rx > 0 && m.ry > 0));
}

// The two spatial knobs read what the pass cannot build on its own: CLARITY the
// frame's own blurred reference, handed in as a second child, and both of them
// the frame's atmospheric light. One question, asked in one place, so the
// renderer builds the blur for exactly the masks with a spatial knob on them and
// the effect is cached for the same answer, and so the shader is built with the
// spatial block (DEHAZE's own dark channel lives in it).
export function masksHaveSpatial(masks: GradientMask[]): boolean {
  return readMasks(masks).some((m) => m.clarity !== 0 || m.dehaze !== 0);
}

// The uniform block the shader for `n` masks reads: the shapes, the ellipse
// parameters, the knobs with the kind, the tone soft masks, the spatial pair,
// the white balance gain, then the frame the fractions are of — and, when the
// caller has one, the atmospheric light the dehaze reads. Declaration order,
// arrays expanded — one buffer is one upload per render, the same shape
// healUniforms and mosaicUniforms use. Its length is a function of the list, not
// a fixed capacity, because the shader carries exactly the masks the recipe
// holds.
export function maskUniforms(
  masks: GradientMask[],
  width: number,
  height: number,
  air?: [number, number, number] | null
): Float32Array {
  const list = readMasks(masks);
  const n = list.length;
  const u = new Float32Array((6 * n + 1 + (air ? 1 : 0)) * 4);
  for (let i = 0; i < n; i++) {
    const m = list[i];
    u.set([m.x, m.y, m.ex, m.ey], i * 4);
    u.set([m.rx, m.ry, m.angle, m.feather], (n + i) * 4);
    // The knobs are handed over in the renderer's own units: EV for exposure,
    // -1..1 for the other two, which is what the spec's blend shader reads.
    u.set(
      [m.exposure, m.contrast / 10, m.saturation / 10, MASK_KIND[m.kind]],
      (2 * n + i) * 4
    );
    // The tone soft masks and the two ends, then the spatial pair.
    u.set([m.highlights / 10, m.shadows / 10, m.whites / 10, m.blacks / 10], (3 * n + i) * 4);
    u.set([m.clarity / 10, m.dehaze / 10, 0, 0], (4 * n + i) * 4);
    // The mask's own white balance, resolved here and not in the shader: the
    // Kelvin fit is a curve, and a curve in SkSL would be a second copy of it
    // (colorUtils.whiteBalanceGain is the one). Three gains and a zero pad, so
    // one array of the same shape as the rest.
    const wb = whiteBalanceGain(m.temperature, m.tint);
    u.set([wb.r, wb.g, wb.b, 0], (5 * n + i) * 4);
  }
  u.set([width, height, 0, 0], 6 * n * 4);
  if (air) u.set([air[0], air[1], air[2], 0], (6 * n + 1) * 4);
  return u;
}

// The colour inside a mask, in the spec's own order and, for the knobs the app
// also has frame-wide, in the app's own formulas: exposure first (a power of
// two, so a stop is a stop), then contrast about the middle, then saturation as
// a mix away from the pixel's own REC-709 luma. Then the spec's section 2 and 3
// on top — HIGHLIGHT and SHADOW through the two smoothstep soft masks its own
// formula names, WHITE and BLACK as the per-channel point moves TONE_SKSL
// makes, and the two spatial ones against the blurred reference the caller hands
// in. Every one of them means inside the mask what it means on the whole frame
// (toneShader.ts is the reference the four tonal ones are written from), because
// the same name on the same knob should not be two different moves. The result
// is clamped to the range a file can hold — the spec's own guard, and it is
// `mix`ed back over the base by the mask's alpha, so a mask at half strength is
// half of the move rather than the whole of it.
//
// `blur` is the frame's bilateral reference (the same one CLARITY uses
// frame-wide) and `air` the atmospheric light; both are the constants 0 when the
// shader was built without the second child, and then the two spatial knobs are
// left out of the pass — the caller only builds that child for masks that ask
// for them (masksHaveSpatial). `dark` is the patch's dark channel for DEHAZE,
// read in the block below (the frame's own pixels are only in reach there).
const adjustFn = (spatial: boolean) => `
half3 maskAdjust(half3 c, half3 wb, float4 a, float4 tone, float4 fx, half dark${spatial ? ', half3 blur, float3 air' : ''}) {
  c = c * half(pow(2.0, a.x));
  // The mask's own white balance, the frame-wide WB gain on the mask's pixels: a
  // gain on each channel, hoisted to the JS side because the Kelvin fit is a
  // curve (colorUtils.whiteBalanceGain). 5500K / 0 hands over (1,1,1), so a mask
  // that never touched the pair costs three multiplies by one and nothing else.
  c = clamp(c * wb, half3(0.0), half3(1.0));
  c = (c - half(0.5)) * half(1.0 + a.y) + half(0.5);
  half l = dot(clamp(c, half3(0.0), half3(1.0)), half3(0.2126, 0.7152, 0.0722));
  // The tonal four, in TONE_SKSL's own formulas: a mask's HIGHLIGHT is meant to
  // be the same move as the whole-frame HIGHLIGHT on a smaller area, not a
  // second opinion about what the name means. HIGHLIGHT and SHADOW are additive
  // shifts of the luma, HIGHLIGHT weighted by the headroom left (1 - l) so it
  // cannot drag a blown white to grey, and the colour difference rides along at
  // a damped gain (TONE_SKSL's own cg) so a lift or a pull cannot collapse a
  // colour. WHITE and BLACK are per-channel point moves, cubic in each channel's
  // own distance from the end it owns: the toe and the shoulder move, the
  // midtones do not, and a white that is lowered stays white.
  // The spec's soft masks, computed in float and narrowed: smoothstep on half is
  // one more type the shader does not have to guess at.
  float lf = clamp(float(l), 0.0, 1.0);
  float mh = smoothstep(0.50, 1.00, lf);
  float ms = 1.0 - smoothstep(0.00, 0.55, lf);
  half lifted = half(clamp(lf + tone.x * mh * (1.0 - lf) + tone.y * 0.34 * ms, 0.0, 1.0));
  half cg = clamp(lifted / max(l, half(0.0004)), half(0.55), half(1.35));
  c = clamp(half3(lifted) + (c - half3(l)) * cg, half3(0.0), half3(1.0));
  half3 dk = half3(1.0) - c;
  c = clamp(c + half(tone.w * 0.18) * dk * dk * dk + half(tone.z * 0.18) * c * c * c, half3(0.0), half3(1.0));
  half nl = dot(clamp(c, half3(0.0), half3(1.0)), half3(0.2126, 0.7152, 0.0722));
  c = mix(half3(nl), c, half(1.0 + a.z));
${spatial ? `  // DEHAZE before CLARITY, the frame-wide order and for the frame-wide reason:
  // sharpening haze only makes it read as detail.
  if (fx.y != 0.0) {
    // DEHAZE (doc section 3.2), DEHAZE_SKSL's own formula on the mask's pixels:
    // dark is the patch's dark channel, the MINIMUM of min(r,g,b)/A over a
    // neighbourhood — read by the block below, which is where the frame's pixels
    // are — so a patch with anything genuinely dark in it is not haze and is left
    // alone (the patch average this used to read called every patch hazy). Signed
    // like the frame-wide knob: below zero t rises above 1 and the same
    // expression puts the scattered light back.
    half3 aa = half3(half(max(air.x, 0.05)), half(max(air.y, 0.05)), half(max(air.z, 0.05)));
    half t = clamp(half(1.0 - fx.y * ${DEHAZE_MAX_OMEGA} * clamp(dark, half(0.0), half(1.0))), half(${DEHAZE_FLOOR_T}), half(${1 + DEHAZE_MAX_OMEGA}));
    c = clamp((c - aa) / t + aa, half3(0.0), half3(1.0));
  }
  // CLARITY (doc section 3.1): the pixel against its own blurred surroundings.
  // Positive sharpens. Negative SOFTENS toward that same reference — a masked
  // CLARITY -10 is a soften of the mask's own detail, which is the property the
  // knob is named for, and not the inverted unsharp it used to be (that only
  // sank the mask's whites and left its contrast where it was).
  // The reference is the bilateral one (CLARITY_BLUR_SPAN, 6% of the frame) and
  // the frame-wide negative CLARITY mixes toward that same reference with the
  // same factor (CLARITY_BLEND_SKSL), so the two readings of the knob are one
  // move on two different areas.
  if (fx.x > 0.0) {
    c = clamp(c + half3(half(fx.x * ${CLARITY_GAIN.toFixed(1)})) * (c - blur), half3(0.0), half3(1.0));
  } else if (fx.x < 0.0) {
    c = mix(c, blur, half(clamp(-fx.x, 0.0, 1.0)));
  }
` : ''}  return clamp(c, half3(0.0), half3(1.0));
}
`;

// One unrolled block per mask, for the reason heal.ts unrolls its own: SkSL
// indexes a uniform array by constant only, so the shader is built for the count
// it is handed rather than for a capacity, and the renderer caches them by count
// (exportEngine's maskEffectFor). A linear mask's alpha is the spec's dot
// product, and its zero-length guard is the filter in readMasks rather than a
// branch here: a mask with no length is not a mask. A radial mask's alpha is
// 1 inside the feather and 0 at the rim.
const maskBlock = (i: number, spatial: boolean) => `
  {
    float a = 0.0;
    if (adj[${i}].w < 0.5) {
      float2 d = (rects[${i}].zw - rects[${i}].xy) * size.xy;
      float len2 = dot(d, d);
      float t = dot(pos - rects[${i}].xy * size.xy, d) / len2;
      a = smoothstep(0.0, 1.0, clamp(t, 0.0, 1.0));
    } else {
      float2 st = (pos - rects[${i}].xy * size.xy) / size.x;
      float ca = cos(-rads[${i}].z);
      float sa = sin(-rads[${i}].z);
      float2 r = float2(st.x * ca - st.y * sa, st.x * sa + st.y * ca);
      float d = length(r / max(rads[${i}].xy, float2(1e-5)));
      a = 1.0 - smoothstep(max(0.0, 1.0 - rads[${i}].w), 1.0, d);
    }
    if (a > 0.0) {
${spatial ? `      // The patch's dark channel for DEHAZE, one tap per DEHAZE_PATCH_STEP of
      // the frame's width — the same fraction the frame-wide pass reads, so the
      // mask's DEHAZE and the frame's are the same neighbourhood on any size of
      // render. Skipped when the mask has no DEHAZE, so a CLARITY-only mask
      // pays nothing for it.
      half dark = half(1.0);
      if (fx[${i}].y != 0.0) {
        half3 aa = half3(half(max(air.x, 0.05)), half(max(air.y, 0.05)), half(max(air.z, 0.05)));
        float stp = max(1.0, size.x * ${DEHAZE_PATCH_STEP});
        for (int j = -${DEHAZE_PATCH_TAPS}; j <= ${DEHAZE_PATCH_TAPS}; j++) {
          for (int k = -${DEHAZE_PATCH_TAPS}; k <= ${DEHAZE_PATCH_TAPS}; k++) {
            half3 p = clamp(img.eval(pos + float2(float(k), float(j)) * stp).rgb, half3(0.0), half3(1.0));
            dark = min(dark, min(min(p.r / aa.r, p.g / aa.g), p.b / aa.b));
          }
        }
      }` : '      half dark = half(0.0);'}
      c.rgb = mix(c.rgb, maskAdjust(c.rgb, wb[${i}].rgb, adj[${i}], tone[${i}], fx[${i}], dark${spatial ? ', blurred.eval(pos).rgb, air.xyz' : ''}), half(a));
    }
  }
`;

// The pass. It reads the pixels the pipeline has already built — the grade, the
// grain, the vignette — and writes the local adjustments back over them, one
// mask at a time, so a mask over another mask reads the first one's result
// exactly as a stack of local adjustments does. It runs BEFORE HEAL on purpose:
// a repair laid inside a mask then borrows pixels that already carry the mask's
// light, which is what makes it match its surroundings, and a MOSAIC over a mask
// hides what the mask left. The frame the masks are of comes in as `size`, the
// same uniform HEAL and MOSAIC take. `spatial` adds the two things only CLARITY
// and DEHAZE read: the frame's own blurred reference as a second child, whose
// image is in the same coordinates the pass runs in, and the atmospheric light.
export function gradientMaskSkSL(count: number, spatial = false): string {
  return `
uniform shader img;
uniform float4 rects[${count}];
uniform float4 rads[${count}];
uniform float4 adj[${count}];
uniform float4 tone[${count}];
uniform float4 fx[${count}];
uniform float4 wb[${count}];
uniform float4 size;
${spatial ? 'uniform shader blurred;\nuniform float4 air;' : ''}
${adjustFn(spatial)}
half4 main(float2 pos) {
  half4 c = img.eval(pos);${Array.from({ length: count }, (_, i) => maskBlock(i, spatial)).join('')}
  return c;
}
`;
}